![]() Also, the movie features what is undoubtedly one of the greatest chase scenes of all time – you won’t forget it once you see it. The plot itself, though interesting enough to see unfold, is somehow both convoluted and underdeveloped, so while “Diva” is ultimately not very fulfilling from a narrative stance, that thankfully doesn’t matter, since the viewer’s senses will be too pleasantly overwhelmed by the end to care about that. The color blue has rarely, if ever, looked as gorgeous on film blue is to “Diva” what red is to “Cries And Whispers,” infecting every single filmic component, from the production design (almost every set is color coded in blue) to the cinematography (that shades those spaces in beautiful blue neon lighting), all of which amounts to a truly breathtaking look. “Diva,” Jean-Jacques Beineix’s gorgeously vibrant take on the genre, didn’t exactly represent a revival of the style as much a revaluation of it – the classic ingredients of noir are all to be found here, but repackaged in a wholly new visual presentation.īeinex wasn’t the first proponent of neon-noir’s aesthetic elements, like the prominent use of color (not classically a staple of noir), but few before him did it to the extent and technical acumen that he employs here. So here are 15 of the very best the genre has to offer – watching just a handful of them is enough to understand the look and feel of neon-noir and also, hopefully, fall in love with it.īy the late ‘70s, with masters such as Jean Pierre Melville and Henri-Georges Clouzot no longer working, French noir had already completely fizzled out. What sets neon-noir films apart are the stylistic touches added to that formula, chief among them being: a setting in modern urban environments more prominent use of color synth or ‘60s jazz scores and, most importantly, of course, the heavy use of neon lighting for atmosphere and visual identity. However, there’s a sort of offspring of neo-noir that isn’t nearly as well known or discussed, not even by serious critics: the neon-noir.įor those not familiar, neon-noir carries the same basic DNA of all other types of noir: the character archetypes of the femme fatale the professional criminal and the private detective the focus on crime narratives an interest in violence and psychological darkness the same visual style of high contrast cinematography and pessimistic endings. ![]() The derivatives of the genre, naturally, also suffer from such categorization controversies, but even so, even the most casual of cinephiles is aware of what a neo-noir is, and what are the best movies of its kind. For decades, scholars have battled as to what characteristics exactly define a classic noir movie what differentiates it from a regular crime movie and what movies fit into those categories enough to be placed in the official noir canon. Noir is famously one of the most contentious of film genres when it comes to definition.
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